weird science

Guest Post: MG Author Jordan Jacobs

Today I’m excited to host Jordan Jacobs, author of the MG mystery Samantha Sutton and the Labyrinth of Lies, for a guest post. Samantha Sutton features a whipsmart and adventurous heroine, a realistic sibling relationship, lots of action and adventure, and loads of very cool archeology factoids. Jordan Jacobs really does have my childhood dream job: an archaeologist who write novels on the side. When he’s not writing the Samantha Sutton series, what is his archaeology work like? I pictured something straight out of the Indiana Jones ride at Disneyland. Read on to find out what an archaeologist really does.


Just Another Day at the Office
Jordan Jacobs

The movies don’t get everything wrong when it comes to archaeology. Even in real life, there’s plenty of adventure to be found.

As an archaeologist, I’ve gotten to work high in the Andes at Chavin de Huantar—crawling through unexplored tunnels full of bats and rubble and scattered human bones. I’ve excavated Crustumerium, just north of Rome, where Bronze Age peoples lie at rest in a sprawling city of the dead. I’ve worked in the United States as well, clearing cemeteries in advance of major construction projects, excavating cliff dwellings, and digging the toilet of a California governor from the wreckage of his earthquake-totalled mansion.

But of course, this sort of adventure is only part of the job.

An archaeologist’s task is to study past cultures through what they’ve left behind. These pieces of evidence—or “artifacts”—can be as big as an Egyptian pyramid or as small as a speck of pollen, stuck to an ancient cooking pot. But the information they contain can be surprising. Archaeologists can use these artifacts to reconstruct how people once lived—from the food they ate, to the way they fought, to the religions that they practiced and their views of the world around them.

The archaeologist’s “typical day” takes a variety of forms. Some work mostly in the field–surveying the land, digging precise excavation units into the earth, looking for patterns, making comparisons, and drawing careful conclusions from whatever pieces of the past still remain. Others work in laboratories, using the tools of science to discover how old an object is, exactly what it’s made of, or precisely where it came from. Still others spend their days in museum storerooms, re-examining the evidence recovered by their predecessors. And some archaeologists work with governments and companies in order to protect sites from destruction through development, looting, neglect, or war.

But archaeology also carries a lot of responsibility. One awkward truth is that excavation destroys sites, meaning that each particular discovery can be made only once. It’s up to the archaeologist to record everything he or she can–otherwise, that information is lost forever. Just as importantly, archaeologists have a responsibility to the people who live nearby the site, or who claim it as their ancestors’.

At its best, archaeology is a little like time travel. Holding an artifact in your hand can make you feel a connection to someone who lived centuries or millennia before. It’s intimate. It’s humbling. Seeing the fingerprint of a potter on the surface of a plain and broken pot is a reminder of the humanity all people share–no matter where, or when, we live.

*Full disclosure: I share a publisher, Sourcebooks Jabberwocky, with Jordan Jacobs. I purchased my own copy of Samantha Sutton, however, and any opinions are my own.*

Scents and Writeability

We talk a lot about how some senses contribute to the writing process. The music playlists we listen to as we power through revisions, the pinboards we gaze at to visually inspire our WIPs, the chocolate we savor to help us deal with bad news, even the way our fingers feel tapping the keys (and the way our backs feel after slouching in a desk chair for hours while drafting). But there’s one sense that I feel like gets neglected in discussions of the writing process, and that’s smell.

Smell can be an important and influential part of the writing process. I’ve started incorporating scents into mine, and I swear it’s not related to neglecting laundry so I have more time to write. (I’m a freak who likes doing laundry, actually.) When I sit down to work on the first draft of my WIP, I use the smells of specific candles to get me into the atmosphere of the story. My current favorite? A cedarwood and rosewood blend that I think smells like a barrier island in summer, hot pine needles and driftwood and the Atlantic. Whether the candle objectively does or not smell like that is besides the point; when I burn it while I write, it connects me emotionally to the place I’m traveling on the page.

My current favorite candle.

Not every story is told in a place that smells like flowers, though. I’m not suggesting you make your desk area smell like sulfur if you’re writing about hell. But I do suggest CB I Hate Perfume, which has some fantastically unique scents, like In the Library, a “warm blend of English novel, Russian & Moroccan leather bindings, worn cloth, and a hint of wood polish,” or Walking in Air, which was inspired by Balanchine’s The Nutcracker. (Uh, I think I need At the Beach 1966. I love the smell of Coppertone. Happiness in a bottle.)

Bath and Body Works also has a line of candles out now that includes French baguette and macaron blends, to which I say: I WANT. It’s enough to make me think that the next project I work on needs to involve French bakers, so I can make my writing space smell like bread and cookies all the time.

And then there’s good old Demeter Fragrance Library, which has the normal (almond; mulled cider), the cool (paperback; New Zealand), and the just plain weird (earthworm; dregs, as in the bottom of a wine barrel; and turpentine).

Obviously, you don’t need a delightful or weird potpourri to write. But sometimes a little ritual, like lighting a candle or spritzing a room spray, can help you get into the mood of your story. Or it can help you unwind and let the words flow.

So, have I convinced you to get into aromatherapy for writers?

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