The Problem with Stars
Confession: I’ve resisted joining Goodreads for the longest time. While I’ve long used–and appreciated!–the site to get information about books and read non-editorial reviews, I didn’t want an author account.* The main reason why? The stars.
(Now I want some fruit.)
*But now I have one. Let’s be friends!
MMGM: Every Day After
One of the many fun things about being part of OneFour KidLit is getting to interview debut 2013 authors about their great new books. Tomorrow, my interview with Laura Golden, author of Every Day After, will be up on the OneFour blog. But I couldn’t wait until then to post about this historical MG gem. Here’s a little about the book, from Goodreads:
Trouble has rained down
on Lizzie Hawkins. Her daddy has deserted the family, her mama is
silent with sadness, and the bank is after their house.
Daddy
always said Lizzie was born to succeed, but right now she can’t even
hold on to her top grades or her best friend, Ben. Bratty newcomer Erin
Sawyer has weaseled both away from Lizzie, but Erin won’t be satisfied
until Lizzie is out of her hair for good, packed off straight to the
nearest orphanage.
Still, Lizzie refuses to lose what’s left of
her family. With the bank deadline fast approaching, Erin causing strife
at every turn, and Mama and Ben slipping away from her, Lizzie finds
comfort writing in her journal and looking at Daddy’s face in the
heirloom locket he left her. She’s keeping her head high and holding
onto hope that Daddy returns on her twelfth birthday. Still, she can’t
help wondering: Why did Daddy have to leave? And can I save us if he
doesn’t come home?
Times may be tough in Bittersweet, Alabama,
but the unsinkable Lizzie Hawkins will inspire readers with her
resilience and determination.
Laura kindly lent an ARC to me so I could read Every Day After in advance of our interview–although I plan to buy a copy once it hits shelves, because this is one of those marvelous MG books that will be an instant classic. The character development is rich, the setting is so real that you start to feel like you have GooGoo Clusters stuck in your teeth (a candy that Lizzie longs for in the book), and the themes and message are timeless. It really struck me, while reading, how relevant a story about a young girl staying strong in the face of economic troubles is today. Lizzie’s determination and strength are a model to anyone, of any age, who is struggling.
But this is also a great MG story about community, friendship, and finding yourself, one with plenty of sweet humor. I highly recommend that tomorrow, you pick up a copy of Every Day After.
To see what other marvelous middle-grade books readers and writers are blogging about today, check out Shannon Whitney Messenger’s blog for the MMGM links!
Mad for MG: Why Write MG?
A question I get asked a lot is why I write MG. The shortest answer is: I like it. For a slightly longer but still not comprehensive answer, check out the Mad for MG feature at the OneFour Kid Lit blog today, in which all of us ’14-debut MG writers talk about why we’ve found a home in this category. Also, we have pictures. (Spoiler alert: Mine is not from when I was a middle-grader. I swear that’s not to spare myself from having photographic evidence of my awkward phase on the Internet, but just because I am old enough that all middle-school pictures of me are in albums and not on my computer.)
Go here
for the post:
How was your weekend?
You’re (Not) Doing It Wrong
This rambling post is one I’d been meaning to write for a while, and then I read Katy Upperman’s fabulous post On Insanity last week,* which made me want to post it even more. One of the hardest things about being a writer is quashing the impulse to compare your trajectory with everyone else’s. Or what you think everyone else’s is. And on social media, we typically see mostly the big milestones that people reach: finishing a draft, getting an agent, winning a contest, selling a book. There’s a constant chanting of good news and big news for other people through blogs and Twitter and Tumblr. Well, yay! That is awesome. Good news for one is sort of good news for all, because it means that our industry is thriving and authors are creating and readers are buying. But the steady stream of “NEWS!” also presents an illusion, one that things are happening faster, or easier, or more frequently for other people.
The thing that I’m feeling all compare-y about lately is speed, or the lack thereof (in terms of how quickly I can finish a project). The more I tune into Twitter, the more I start to think that everyone else is writing perfect first drafts in four weeks, and still blogging, tweeting, and tumblring regularly. Meanwhile I am revising . . . and revising . . . and revising the same old WIPs. Which has been driving me slightly nuts. Honestly, I am kind of a slow writer, and I’m not a full-time one. That’s right–I know that the limitations on my writing speed are understandable–it’s not like I’m slow because I keep choosing to binge-watch Nashville instead of revise a chapter.** I get that I should feel good about myself for the solid progress I am making, at a pace that works for me. The fact that I’m steadily working and meeting actual deadlines is what’s important, right? Sure. But when I dip into my Twitter feed and the blogosphere, I kind of lose that perspective. I find myself thinking, You’re doing it wrong, slowpoke.
Writing’s not easy, and everyone’s struggling with something. Comparison is an unnecessary problem, but a difficult one to fix. Is the solution to avoid social media? I don’t think so: It can be a great, beneficial, stimulating, supportive place. If there’s a solution, I think it’s to remind ourselves that there is no right way to do this–write, tell stories, create. Or, if there is a “right” way, it is whichever way is working for you. Slow and steady can win the race. So can fast and frenzied. I love this post from The Kindness Project on making time, and this line stuck with me: “Kindness, like most things, starts with yourself.” Letting go of the need to compare–that’s also an act of kindness toward yourself.
From now on, I’ll ask myself: Are you doing what works for you, right now (while still keeping yourself accountable)?
Great. Then you’re not doing it wrong.
*Uh, at the beginning of May, actually. See? I am slow (and that’s . . . okay).
**Not that there is anything wrong with binge-watching TV once in a while, or specifically watching Nashville, which is a delightful show. Please do not tell me what happened in the finale because I haven’t watched it yet. 🙂
MMGM: Will Sparrow’s Road
As a reader, I have a strong pull toward girl heroines–if I were to break down the kid lit I read, probably 92% has a female MC or narrator. Also as a writer, I generally find inspiration in girl POVs. So I’ve been meaning to pick up more books that have boy voices. I’ve always loved reading Karen Cushman’s strong and interesting girl
protagonists, as well as her intricately researched historical fiction, so I was excited to read her first book with a male main
character: Will Sparrow’s Road.
“I care for no one but myself, and nothing but my belly,” says Will
Sparrow, the itinerant hero. He’s a tween boy making his way, alone, along a road and through the vibrant and sometimes dangerous world of 16th-century England. Will has good reason to care for his belly–he’s hungry and has to rely on cleverness and the occasional thievery for food. A plot summary from the Goodreads page:
In his thirteenth year, Will Sparrow, liar and thief, becomes a runaway. On the road, he encounters a series of con artists—a pickpocket, a tooth puller, a pig trainer, a conjurer—and learns that others are more adept than he at lying and thieving. Then he reluctantly joins a traveling troupe of “oddities,” including a dwarf and a cat-faced girl, holding himself apart from the “monsters” and resolving to be on guard against further deceptions. At last Will is forced to understand that appearances are misleading and that he has been his own worst deceiver. The rowdy world of market fairs in Elizabethan England is the colorful backdrop for Newbery medalist Cushman’s new comic masterpiece.
I really loved how this book worked as a classic picaresque (Comp Lit Nerd Alert, I know), in that Will had to live by his wits to survive in a somewhat harsh world–sometimes to comic effect. The plot had a great balance of being episodic (neat little scenes in which Will has a struggle, or does something clever; characters who flow in and out in a way consistent with Will’s chaotic life and the time period) and having a rewarding character arc. I also loved how, in true picaresque style, Cushman didn’t pull her punches in terms of the difficulties all people–including children–experienced during that time. The stakes were high for Will, and it made his successes that much more rewarding.
To see what other marvelous middle-grade books readers and writers are blogging about today, check out Shannon Whitney Messenger’s blog for the MMGM links!
Mira’s Diary: Home Sweet Rome (MMGM!)
I really love time-travel books, and one of the things I’ve enjoyed about reading lots of them is that different authors tend to focus on distinct aspects of time travel. The Time Traveler’s Wife focuses on how it affected relationships; Stephen King’s 11/22/63 is about the greater what-ifs and how a time traveler can affect the whole world. Before I Fall was time travel-ish (in a Groundhog Day kind of way), and in it the protagonist experienced significant (and heartbreaking) personal growth through repeating time. There are lots of other examples (and if you have suggestions of other good time-travel books, let me know! I already have a copy of Time & Again waiting on my shelf, and Time Between Us is on my list of books to be bought), of course.
In the Mira’s Diary MG series, author Marissa Moss uses time travel for adventure and to educate readers: about history, art, tolerance, and some big ideas. It’s really a genius blend. Even as a non-MG reader, I feel like I know so much more about lesser-known historical figures, iconic places, and art after reading each book. The first was set in Paris, and the latest is set in Rome. From the jacket:
As if traveling to a new country in search of her missing mother weren’t difficult enough, Mira has to do it dressed as a boy. In a different century.
A new postcard from her time-traveling mother points Mira to 16th century Rome. But before she can rescue her mom, she must follow the clues left around the city to find Giordano Bruno, a famous thinker and mathematician, who discovered something so shocking that important Italian officials don’t want it revealed. All the while avoiding the Watchers–time-traveling police who want Mira back in her own time.
It’s another whirlwind adventure for Mira, and this time she is determined to bring her mother out of the past.
Back to how Mira’s Diary uses time travel to introduce some pretty cool ideas to its readers. This is one of my favorite passages in the book, coming after Mira encounters Giordano Bruno while trapped in a Roman prison:
“What I grasped was an impression of the world full of glinting lights, a million futures, a zillion possibilities, an infinite number of ways forward and back. It was all so perfectly beautiful, so incredibly ingenuous, like the way you can find math in nature–from the swirls of seashells to the spines of pinecones. When dawn streamed in the high window, I hadn’t moved at all, but I felt like I’d time-traveled in a totally different way.” (p.126)
Beautiful and really cool, right? I love how ideas are a form of time travel in the Mira books, along with the actual jumps in time Mira and her mom take while on their adventures.
The Mira books are smart, engrossing, and relatable for MG readers–and they have great spot illustrations, too. I can’t wait to see where time takes Mira next.
To see what other marvelous middle-grade books readers and writers are blogging about today, check out Shannon Whitney Messenger’s blog for the MMGM links!
Disclaimer: I am a Sourcebooks author, and Sourcebooks did provide me with a copy of Mira’s Diary: Home Sweet Rome to read. But as always, my opinions are my own!
Introducing Mad for MG!
First things first: I survived my move, and so did all of my books! Phew. Now if only I could find where I packed my shoes and my chargers in this mess . . .
Anyway, I’m excited that today is the inaugural MG Monday post for mad for Middle Grade, a group of OneFour Kid Lit-ters. On the first Monday of every month, we’re going to be blogging about all things middle grade. Today, we’re introducing ourselves by sharing our favorite MG characters. You probably won’t be surprised about mine, since I’ve posted about the book seventy-billion times before. Go here for the post:
Mad for Middle Grade: It’s All About Character!
How was your weekend?
On Moving and Books
I’m currently packing up my apartment. In the process, I’ve determined that books comprise about 40% of what I own. (Sorry, robbers. If you don’t want paperbacks or old T-shirts or shoes with an odd wear pattern because apparently I walk funny–you’re out of luck.) Right now they are strewn across the floor of our living room/office/storage area/guest room (life in small spaces, yo) and slowly making their way into poorly packed boxes.
 |
| A poorly packed box. |
I think books might actually be the Very Worst Thing to Pack. Worse than glassware. Hear me out: books are heavy, they come in wildly variant trim sizes, and they are dusty (at least if they belong to someone who hates dusting, like me). Putting them into boxes feels like the world’s most frustrating game of Tetris. There’s always ONE art book that is super long and won’t fit in the box and screws everything up, so another box full of tcotchkes that normally could live in the back of a closet in the new place (never to be unpacked–almost as good as actually dealing with the clutter) now contains a book and therefore has to get unpacked and dealt with.
Anyway. Can you tell that I’m at the point of moving at which I wish someone would hit me over the head with one of my rarely used kitchen appliances, or the copy of Benet’s Reader’s Encyclopedia that I haven’t opened since college, and I could wake up once we’re settled again?
I love print books. Always have, probably always will. Given the choice, I will opt to read in print form as opposed to on my iPad. But damn it if moving doesn’t make me want to bring my entire collection to the Strand and go digital. To think I could have every book in the mountain of brown boxes that currently prevents me from walking from my desk to the closet door on my 0.68-pound tablet . . .
What about you? Does moving (or dealing with piles of books in your home on a regular basis) make you want to convert to e-reading?
MMGM: Small Medium at Large
Marvelous Middle-Grade Monday is hosted every Monday by Shannon Messenger. Today I want to talk about Joanne Levy’s great MG, Small Medium at Large.
From the publisher (Bloomsbury):
After she’s hit by
lightning at a wedding, twelve-year-old Lilah Bloom develops a new
talent: she can hear dead people. Among them, there’s her
overopinionated Bubby Dora; a prissy fashion designer; and an
approval-seeking clown who livens up a séance. With Bubby Dora leading
the way, these and other sweetly imperfect ghosts haunt Lilah through
seventh grade, and help her face her one big fear: talking to—and
possibly going to the seventh-grade dance with—her crush, Andrew Finkel.
Possibly my favorite type of middle-grade book blends realistic characters, settings, and experiences with just a touch of something magical–an element beyond suspension of disbelief (like a main character who becomes world-famous for bird calls) but less than true magical realism or fantasy (like a main character who discovers she can fly). Ghosts and light paranormal often hit this imagination sweet spot–or in the case of Small Medium at Large, a lightning-strike-induced ability to hear dead people.
Small Medium at Large is sweetly funny and highly relatable (ghostly voices aside). Who wouldn’t want to imagine a world in which those who have passed surround and support us through–particularly through the trials and tribulations of the seventh grade? From the clever title to poignant interactions with a variety of ghosts to Lilah’s witty voice, this was an absolutely charming book. Now that I’m done with it, I kind of want to dust off my Ouija board. 🙂
What MG have you read lately?
Revise like an Improviser
Over the years I’ve gotten to learn a little bit about sketch comedy and improv because my husband is a long-time performer. I’m always amazed when I watch his shows at how the spontaneous collaboration works. Whenever someone onstage gets an idea rolling, the other performers embrace and expand it, and more often than not a pretty coherent story blossoms out of something as small as a single word. Considering that as many as half-dozen people are creating the story without actually negotiating the content, that’s impressive. I mean, I sometimes fight too much with myself to get anything on the page.
“Always say yes” is a rule in improv, and it’s a big part of what makes this creativity and collaboration possible. (Tina Fey talked about it in Bossypants and explains how saying yes changed her life here.) At its most basic, the idea applies to how you respond to the other performers within a scene. If you start with the intention that your scene is set in Antarctica, it’s your collaborator’s job to say yes to that idea. Not to think, No–we’re not in Antarctica; we’re at the mall on Black Friday. My idea is better; I’m changing this. No matter how wacked out the idea is, just go with it.
It’s even better to say “Yes, and . . . ” Build on ideas. So your partner places you in a scene in Antarctica, and you respond with “Yes, and we’re here because the plane crashed and now we’re stranded like the guys in the movie Alive.” And your partner might respond with, “Yes, and we would consider cannibalism to survive except we’re part of a group traveling home from a veganism conference.” And so on.
If someone refuses to say yes, things shut down. If someone doesn’t say “yes, and,” it doesn’t build. The same is true for revising.
Whenever you’re revising, and particularly when your revision involves the collaboration of someone else–like a CP, or an agent, or an editor–it’s good to keep an open mind. Approach the work with the mindset of saying yes, and–not with a mindset of no, because. Of course, this is easier said than done–nobody wants to kill his or her darlings, and a lot of times saying no is a reaction to that desire to retain and protect what we’ve worked so hard to create. Saying yes doesn’t mean blindly accepting suggestions, but pushing back out of instinct, or the need to control, instead of for a good reason can be limiting. Adding the “and” can be a way to make sure you take suggestions in a direction that’s right for you. Saying yes, and keeping yourself open to fresh ideas and collaboration, is a way to grow as a writer and a storyteller–and a way to make the revision process more creative.
So, writer friends: do you have a hard time saying yes to changes during revisions? How do you collaborate in the writing process?
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